杉下右京（水谷丰饰）冷静沉着，龟山薰（寺胁康史饰）正义感极强。警视厅特命组的两名成员以精妙的组合破获了无数疑难案件。尽管这对“相棒”的故事经常涉及当代社会问题，但在这一季中，他们特别面对了当时最前沿的一些社会问题，如陪审团制度、死刑、虚假定罪和可视化审讯等。
创造口碑票房双丰收的韩国电影《恋爱操作团》和《建筑学概论》这两部作品将被翻拍中国版，由北京悦视文化传媒投资出品，目前已在制作准备阶段。制片人李昂介绍，此次选择这两部韩国电影改编翻拍中国版，是因为两部电影在韩国上映时都曾取得票房成功，而且两部电影中的情感非常打动人心，其爱情、喜剧风格也深受中国影迷喜爱。 据了解，2012年在韩国上映的《建筑学概论》由李勇周导演执导，韩佳人、严泰雄主演，当年以400万观影人次创造了韩国影史纯爱电影的最高票房纪录，并成功入围当年韩国奥斯卡（青龙奖）七项大奖。而《恋爱操作团》则被誉为韩国版的《大鼻子情圣》，主要讲述为剩男剩女们实现爱情的“恋爱代理人”的故事，该片在韩国电影票房不景气的秋冬时节上映，收获270万观影人次，成为了为数不多的卖座影片。 据制片人李昂介绍，《恋爱操作团》将预计今年7月中旬开机，《建筑学概论》也将于11月开机，目前这两个项目已有多位国内一线明星达成深度合作意向，正式进入密集筹备期，而此次翻拍中国版将采取中、韩电影制作公司共同合作的形式，联手打造中国本土化的电影，主演人选也将于近期公布。
本片是粉碎“四人帮”后由北京电影制片厂、中央新闻纪录电影制片厂于1977联合摄制的一部大型文艺纪录片。片中的每一幅画面在现在看来十分的珍贵，对于四十岁以上的人们来说是一份难得的怀旧珍品。片中有许多老一辈（有些是已故的）文艺工作者年轻时的珍贵影像：孙道临通片激昂的朗诵词、常香玉的豫剧名歌“水调歌头：粉碎四人帮”、李谷一的“华主席播下春光暖人心”、卞小贞的“太阳最红，毛主席最亲”、郭兰英的“绣金匾”、李光曦的“周总理，你在哪里”、王玉珍和陈俊华的“红湖水浪打浪”等等，最后是王昆演唱的“江山万代飘红旗”。这部见证历史的歌舞片 春天，由潘文展、谢添、朱今明、陈光忠导演。
对于阿施来说，千禧年夏天是最美好的年代。他遇见青春绽放的晓萍，一同牵手走过那缤纷的年纪，写下生命之诗的开头。面对未来的不确定性，两人总是乐观且有计画性的面对。 直至一次阿施父亲到军营中的探访，改变了长久相处的共识，陷落○六年那躁动不安的时代氛围中。出社会后，现实的压力却磨损了原本美好的爱情，使阿施的离去成为不得不的现实，阿施与晓萍在艳阳下相爱，在日落时分开，再拥抱已是四年的时光飞逝，两人清澈的双眸已被岁月折磨地悄然黯淡，距离当年灿烂的身影已越发遥远……。历经波折后的重逢，能使他们再念起那首描述岁月静好的生命之诗吗？
1976年，罗马。十岁的瓦莱里奥是一个想象力丰富的男孩，当他目睹一群恐怖分子企图杀死父亲时，他的生活瓦解了。这件事对家庭的影响是巨大的，尤其是当另一个男孩出现时，家里的所有人都充满了恐惧和脆弱感。克里斯蒂安比瓦莱里奥岁数只大一点，他是一个厚脸皮的孤独的叛逆小孩，而他将给那个夏天带来新的变化，也会彻底改变他们的一生。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
影片讲述了三个来自不同背景、渴望邂逅美丽性事的女孩的故事
龙城是三省五县水陆交通咽喉，清末，龙城城里一秘密反清组织“血盟堂”遵照孙文先生的指示，据要冲而扼制官兵，准备联合起事，由于内奸告密，致使总部几次派人前往龙城与“血盟堂”联络都惨遭杀害。双枪假面人老三金子彪去复仇，得到双抢假面人的帮助。张广义请来武艺高强的白劳德，并收买“血盟堂”老大共同对付双抢假面人。经过仔细分析，怀疑的焦点集中在方大年身上。假面人就是方大年，而金子彪就是隐藏已久的内奸，其内奸身份被大年当众揭穿。
本作品讲述了在警察“机动搜查队”，机动能力和运动神经首屈一指、但却没有刑事搜查经验也缺乏刑警常识的伊吹蓝（绫野刚 饰），观察和社交能力突出,但却不信任自己和别人的理性的刑警、志摩一未（星野源 饰），主角二人以24小时的时限内破案为目标的故事。 标题中的“MIU”是Mobile Investigative Unit（机动搜查队）的首字母，“404”是两人饰演机动搜查队员的呼叫信号。
8月7日 22-23赛季法甲第1轮 克莱蒙VS巴黎圣日耳曼
1966年天星小轮加价暴动，造成了我们的主人公杨醒波（邓一君 饰）的出生，波仔的成长经历并无过人之处，直到1981年，一个历史的闪耀瞬间降临到他的身上：波仔第一次梦遗了。青春期的到来伴随着诸多麻烦，配音演员老爸（曾志伟 饰）想要对他进行性教育却又语无伦次，而学校的健康课只会引来学生们的哄堂大笑。青梅竹马的好友婷婷突然开始对波仔疏远，开始变得会打扮并交了帅气的男友。大出同学们两三岁的“不良”少年泰迪（谢伟杰 饰）形单影只，偏偏与波仔成了朋友，泰迪言传身教，令波仔体会“真男人”的魅力。为婷婷离去而神伤的波仔很快又有了心仪的对象，那是他家的房客夏梦（吕秀菱 饰）姐姐……关于青春的懵懂与成长，成为了这个季节波仔的人生必修课。
一宗谋杀案，令江湖酝酿大风暴。美籍华裔戏痴张细伦（王浩信饰）回港寻找演出机会，因缘际会下被警花顾欣颐（冯盈盈饰）委以重任，要他冒充社团四联帮坐馆的遗孤。在资深卧底高彬（张振朗饰）的协助下，细伦当上坐馆。及后，细伦多次向黑道头目苏芷珊（汤怡饰）、女明星庄明丽（高海宁饰）伸出援手；夜场大家姐姚清水（蒋家旻饰）、三个沒血缘关系的妹妹亦围着细伦团团转。细伦初涉江湖，与高彬成为最佳拍档，加上金牌打手陆秋（朱敏瀚饰）拼死保护，化解多个危机，却不知道社团背后，早已有惊天大阴谋在等着他……