小山裕次郎的魔性嘻哈题材漫画《炸猪排DJ扬太郎》要推出真人版电影了，北村匠海、山本舞香、伊藤健太郎确认主演，讲述东京涉谷的老字号炸猪排店继承人，以成为“炸猪排DJ盖太郎”为目标的故事。
影片讲述了1948年，济州岛的居民们听到一个令人闻风丧胆的传闻--海岸线5公里以外的所有人都将被当做暴徒无条件处死。而这个命令正是所谓帮助捍卫韩半岛安全的美军驻军下达的。岛上的老百姓不懂英语，整日人心惶惶，四处避身，靠分吃土豆果腹。三万多的村民完全不知道这些异族军官为什么要驱赶他们，而他们将会面临怎样的命运？
梦想做旅行作家的香港男人婆阿岚在电视上看到一个跟自己一模一样的台湾女孩, 因此展开了一次台湾环岛寻亲之旅。一路上，与未婚夫分手的港女晴天,、台湾小混混振廷和北京艺术家小光一一加入这次环岛之旅。四人通过环岛过程中的种种经历, 达到了个人成长和解开了各自的心结。
杀人重犯——欢姐逃狱了！ 一班潜伏已久、令人闻风丧胆的劫匪打算联手再度行劫！..... 一连串消息使警方紧急部署追捕工作。CID李兵接到任务唯有暂时放弃跟吴辉师傅学习功夫。吴辉心里纳闷小齐和李兵两师兄弟为何同时没来练习......接获线报，警方集中大批警力布下天罗地网等待欢姐众匪的自投罗网...... 李兵在围捕行动中与众匪展开激烈枪战，一身手极好的劫匪从李兵手中逃脱，李兵与之交手时发现其身手似曾相识，此时乌黑的枪口已指着他的头...... 对手是谁？能否将欢姐伏法能否将众匪打尽？黑白间演绎人性！正邪对决即将展开
现正在白泉社旗下的少女漫画杂志《LaLa》上刊载的《夏目友人帐》，于白泉社的《夏目友人帐》官网上突然更新了一个天大喜讯——在2月24号发售的《LaLa4月号》，《夏目友人帐》将会迎来一个重大发表!是TV动画第三期吗?这对于夏目的fans来说也是值得高兴的消息。《夏目友人帐》的故事主要是说男主角夏目贵志，继承了祖母夏目玲子拥有看到妖怪的力量，而且因为祖母年轻时曾夺取了不少妖怪的名字，并把名字都记在了《友人帐》上，使不少妖怪会来找夏目希望拿回自己的名字。每一集都会描述妖怪和妖怪，或妖怪和人类的故事，把各种交错的心灵，迭交的思念，还有人与妖怪的种种隔阂都描写出来，是一部既治愈温暖又带点哀伤的佳作。《夏目友人帐》曾两度TV动画化，所以对于今次的重大发表，当然是期待第三季的来临了！
内详
Meet the Antichrist. He's been kidnapped by a group of women who've mistaken him for someone else, and now they're about to find out exactly who they're messing with. One by one the women bee possessed by demonic forces and turn on each other. As the bodies begin to pile up, the girls fight for their lives and to save mankind against the Prince of Evil.
甜梦猫是浅紫罗兰色的小猫玩偶，由住在天上的世界、身为布偶工匠的妖精们所制造。一天，甜梦猫从天上掉下来，被一个人类女孩拾起并带回家。女孩每天都抱起甜梦猫，与她说话；甜梦猫为了表达她的谢意，向月亮许愿，然后她的耳朵里的星星斑纹被月光照亮，发出光芒，就变得能够说话了。女孩与甜梦猫于是每天都一起谈话，而且晚上一起睡觉会发一样的梦，在梦中一起玩耍、一起聊小秘密...(@zhuijukan.com)
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
该系列共分六部,分别为《镜花风月之一怪谈》、《镜花风月之二艳鬼现身》、《镜花风月之三螺女 挑情》、《镜花风月之四与鬼同眠》、《镜花风月之五春降》、《镜花风月之六西施泪》。 中国历史上有关西施的传说很多，写西施的书也很多，但所有传说和书籍中的西施，都有男人世界中的西施，男人目光中的西施。男人世界和男人目光中的西施是什么呢？是红颜薄命，是祸水，是权谋者运用自如的尤物和器具。《西施泪》为我们写出了一个全新的西施，作家定西施的美，西施的爱，也写西施的蒙昧，西施的无奈，西施的盲从和浑浑噩噩。他不仅写出了花朵般绽开的西施，还写了她的凋谢，她的楔萎，她的腐烂，以及她作为女人所承受的全部悲哀和不幸。
Diana Fankhauser和朋友们对一座活火山进行研究，当火山将要喷发时，他们发现有一只远古生物在火山里面苏醒，它是敌是友，Diana Fankhauser和朋友们又是否能逃出生天呢？