八名尚未从前段失败婚姻带来的伤痛中痊愈的单身男女，结伴开启连续五个周末的“限定旅行”。他们在山林和大海间彼此陪伴、互相治愈，也在周间的挂念和周末的相聚中逐渐打开心门、重获心动与再爱一次的勇气。
本片讲述在军事政权创独裁体制的南欧某国（影射希腊），反对政府的在野党领袖Z先生在一次演讲中遭人暗杀，政府当局公布是意外车祸而死，对这理由不能置信的人们强烈要求查明真相。从Z先生的同事那儿打听到种种迹象的检察官决定抵抗政治压力追查到底，终于发现这是一宗有计划的政治谋杀，并牵扯出许多政界的大人物。可是后来牵涉这件命案的人不是被流放就是被处以徒刑或是被杀。加斯华凭借此片一举成名，并开启了政治黑幕片的新风暴。
奥麦莉是一名高级海军军官，同时也是一名带着两个孩子的单身母亲，她和高级将领同时也是战斗英雄的尼尔森建立了恋爱关系，但不久她发现尼尔森已经结婚了，并很快断绝了他们之间的关系，就在奥麦莉试图重新开始自己生活时，一天夜晚，她被一个持枪入侵者从睡梦中惊醒，经过搏斗，她开枪打死了那个人。 法庭判定她是误杀，但罪犯却是尼尔森，军方怕丑闻泄露影响不好，所以准以谋杀罪名成立判奥麦莉入狱。她的命令现在完全在沃克船长的手中，被指派给她的辩护律师将通过军事法庭程序为她辩护使她重获自由。
男性朋友和女性朋友究竟能到那个程度呢！这次突然的旅行能打破他们友情的界限吗？3集短剧 感觉是风景很美的旅游宣传片
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
首部揭秘北京环球度假区台前幕后的官方纪录片！从好莱坞到北京，北京环球度假区跨越了多少年的建造历程？从一张蓝图开始，梦境之地如何建起？
主人公马六本有一个幸福的家庭，可一次心血来潮的亲子鉴定，让马六偶然得知寄予厚望的儿子可能并非“自己亲生”，悲愤之下与妻子牛芸展开一番斗智斗勇的“暗战”。可不料事情频出反转，究竟马六的孩子不是亲生的， 还是马六本人不是亲生的，抑或另有隐情？祖孙三代原本平静的生活因此掀起风浪。两个家庭鸡飞狗跳，马六的费心经营却适得其反，闹出不少笑话。
杰拉德（杰拉尔·德帕迪约 Gérard Depardieu 饰）和艾利（伊莎贝尔·于佩尔 Isabelle Huppert 饰）是一对结婚多年的夫妻，两人共同养育着儿子，一家人生活在宁静和稳定之中。然而，某一日，厄运从天而降，两人的儿子在一场意外之中死去，他们唯一的精神支柱断裂了。 一晃眼六个多月过去，杰拉德和艾利仍然没有走出丧子的悲痛之中，就在此时，两人意外的收到了一封神秘的信件，寄信人竟然是已经死去的儿子。在心中，儿子邀请父母前往一个名叫“死亡谷”的地方，在那里，会有什么等待着两人呢？杰拉德和艾利踏上了前往死亡谷的旅途，一路上，他们要面对的是各自内心的黑暗面，以及隐藏在这封信件背后的真相。
肖瀚（肖央 饰）和妻子沈红（代乐乐 饰）结婚多年，感情早已经归于平淡，在两人漫长的婚姻生活中，肖瀚一直保持着对妻子的忠诚，直到某日，一位名叫yoyo（李成敏 饰）的美丽女子出现在了肖瀚的身边，令肖瀚再也无法忽略内心里的悸动，他决定正视自己的感情，不再受道德和舆论的约束，大胆追求自己真正渴望的爱情。 为了成功抱得美人归，肖瀚找到了好友艾木（艾伦 饰）、汤怀（乔杉 饰）和刘磊（小沈阳 饰）等人，几人策划了一个看似万无一失的计谋，胜利的果实势在必得。哪知道在执行计划的过程中，肖瀚的老板玛丽莲（闫妮 饰）几度搅局，闹出了一堆的笑料，不仅如此，敏感的沈红亦预感到丈夫正在“搞事情”。
征战沙场多年，闪电麦昆（欧文·威尔逊 Owen Wilson 配音）早已成为经验丰富的老将。对于现在的他来说，比赛更像与老友们的聚会，大家共同享受狂奔带来的乐趣。然而这和谐的一幕很快被残酷的现实打破，以风暴杰克逊（艾米·汉莫 Armie Hammer 配音）为代表的次世代高科技赛车相继步入赛场，他们凭借更加优良的性能与高科技的组装改造将老一代赛车一一淘汰，甚至包括王者麦昆。四个月后，伤愈的麦昆决定复出，而他也被合作多年的赞助商转到了斯特林（内森·菲利安 Nathan Fillion 配音）麾下。接受从内到外的全新改造后，麦昆在教练科鲁兹·拉米雷斯（克里斯黛拉·阿朗索 Cristela Alonzo 配音）的监督下展开训练。然而他面临着一项严峻的考验，如果他不能在接下来的比赛中取得胜利，那么他必须从此退休。 希望渺茫，不服输的麦昆能否重新取得胜利的荣光……
大学室友萧青葶、单紫、蔚蓝、橙橙，性格迥异却也互补。毕业将至，萧青葶在父亲安排下到一家影视公司实习，遇到了失联多年的儿时好友郑宇，更偶然被调到制作部，见到了仰慕已久的名编剧慕容轩，开启了自己的编剧梦。外貌出众的单紫精挑细选出几家大公司，投简历、面试，但却因为一次简单的客串，凭借自身完美的外形以及在镜头前自然的表演，引起了经济公司的关注，对于这样的人生转折，向来有主见的单紫也有些不知所措了；家境优越的蔚蓝准备用几年时间独自遍游全国，在偶遇几位支教志愿者之后，跟随他们走进了大山；成绩相当优异的橙橙则宣布了一个让人跌破眼镜的决定，她放弃了所学专业，想要成为一名真正的芭蕾舞演员。
仁和医院高级精神科医生高立仁（方中信 饰）在婚礼前痛失为重案组探员的未婚妻莫敏儿（徐子珊 饰），随即陷入悲伤中不可自拔，甚至为此辞去工作。却不料就在此时，医院接收了一名声称被幻听所困更涉嫌强奸案的精神分裂患者。对此案不甚关心的高立仁路过案发现场，误打误撞帮助了博安医院法医精神科医生梁启荣（萧正楠 饰），并建立亦师亦友的关系。已经在外挂牌行医的连志森（蒋志光 饰）担心老友丧妻后萎靡不振的精神状态，多番劝说他重振旗鼓。高立仁也终于决定去博安医院任职。 在随后一次同学聚会中，夜总会发生命案，高立仁意外结识了警方卧底林颂恩（杨怡 饰）。而在工作过程中，也逐渐与顾问医生卓慧翘（蒙嘉慧 饰）成为朋友。与此同时，连志森与梁启荣也分别陷入了暧昧不清的情爱关系……