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讲述约翰·达顿（凯文·科斯特纳 饰）是达顿家族的一家之长，达顿家族拥有着美国最大的牧场，与牧场毗邻的有美国首个国家公园黄石、印第安人保留地以及土地开发商买下的地皮。在一次因牲畜误入印第安人保留地所引起的争端中，意外伤亡事件发生，一场涉及多方的争端在蒙大拿州这片美丽的土地上拉开了序幕。随着剧集的进行，他不断受到那些试图控制牧场的势力挑战。
宛如中国水墨画般的神秘山水景观，美丽的漓江缓缓流过，沿岸峰迭峦秀、奇峰异石，造就出令人屏息的惊鸿绝景。在古朴静谧的渔村与田园中，嘹亮的牧歌笛声阵阵传来，勾起儿时记忆中的点点滴滴。桂林，位于中国华南地区，是少数有名的景胜地之一。效仿古人独驾轻舟，缓缓划进墨色渲染的画屏中，存在1300多年的古老渔村-「兴坪」、漓江支流-遇龙河岸旁「白沙村」的淳朴风光，每个画面的转折，都是笔锋细腻旋转的勾勒。01.漓江(阳朔大桥)02.矮山村03.高田乡04.阳硕西街05.漓江夜明06.兴坪镇老街07.漓江I08.漓江II09.白沙镇金龙桥10.白沙镇遇龙桥11.白沙镇遇龙河12.白沙镇富里桥13.金龙桥夕暮
劫机事件发生！！被主谋Azuma囚禁于禁断之地・Area666的元太与幸实。五十岚三兄妹为了拯救爸妈，前往禁断之地。挡在三兄妹的Azuma变身成假面骑士戴蒙Daimon，判决人类的存亡。与此同时，在元太与幸实面前出现的神秘科学家-外海揭开了目的，追迫五十岚一家。设下的陷阱导致最大的危机迫近时，最强一家的牵绊产生奇迹ーー！
电视剧《战地枪王》是由浙江东阳新媒诚品影视文化传媒股份有限公司出品，是“枪王系列”中继《绝地枪王》后的第二部，由李健、徐梵溪、徐立、李印等联袂主演。该剧讲述了东北地区医药世家大少爷陆英豪与中共抗联组织共同抗击日本侵略者的爱国故事。
《片甲不留》改编自作家刘天明的小说《古代才女悲情》，写出了乱世中人的选择，《片甲不留》是一部表现亡国之痛的历史剧。将明末侯云书与秦淮名妓李香君的悲欢离合同南明王朝的兴亡有机地结合在一起，塑造了一系列栩栩如生的人物形象，悲剧的结局突破了才子佳人大团圆的传统模式，男女之情与兴亡之感都得到哲理性的升华.
唐慎微是成都人，为北宋著名医药学家，他在多年广泛采集的基础上，于1082年编成《经史证类备急本草》，共32卷收药物1746种，其中600多种是前代本草书中未曾记载的，是中国现存年代最早、内容最完整的一部划时代本草学名著，唐慎微可以当之无愧堪称中华中医领域的药学始祖。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
弗兰克（米兰·佩斯彻尔 Milan Peschel饰）和西蒙（斯黛菲·库恩特 Steffi Kühnert饰）本是一对幸福的夫妇，他们拥有稳定的工作、新买的房子，还有一双儿女。然而一个突如其来的消息不仅让弗兰克震惊，更让整个家庭都瞬间坍塌——弗兰克被诊断出脑部长了一颗不能动手术的肿瘤。即将面对死亡的他，在尽力克服着药物治疗和化学治疗带来的副作用。弗兰克所剩时日不多，他开始用手机每天记录下这生命的最后时刻。本片荣获2011年第64届戛纳电影节一种关注单元一种关注大奖。导演阐述这部电影的源起来自身边一些饱受疾病困扰的友人，这些即将走到生命尽头的历程，就成为了本片的故事。影片几乎没有剧本，只有简单的大纲，所有的对话都来自演员的现场发挥。©豆瓣
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该剧由著名喜剧演员、午夜谈话节目主持人Jimmy Fallon制片，故事描述三个三十多岁的父亲希望抓住正在消逝的青春，同时抓住刚刚出生的孩子的小手。这听起来很容易，对吧？