《娱乐百分百》是八大综合台一档娱乐新闻节目，每天报道最新的娱乐新闻，节目还会请嘉宾现场访谈！节目贴近年轻族群，介绍时下流行的装扮、以及艺人的流行教室，有固定的特别企划，邀请艺人完成从未尝试过的事情。
一宗谋杀案，令江湖酝酿大风暴。美籍华裔戏痴张细伦（王浩信饰）回港寻找演出机会，因缘际会下被警花顾欣颐（冯盈盈饰）委以重任，要他冒充社团四联帮坐馆的遗孤。在资深卧底高彬（张振朗饰）的协助下，细伦当上坐馆。及后，细伦多次向黑道头目苏芷珊（汤怡饰）、女明星庄明丽（高海宁饰）伸出援手；夜场大家姐姚清水（蒋家旻饰）、三个沒血缘关系的妹妹亦围着细伦团团转。细伦初涉江湖，与高彬成为最佳拍档，加上金牌打手陆秋（朱敏瀚饰）拼死保护，化解多个危机，却不知道社团背后，早已有惊天大阴谋在等着他……
暂无简介
1972年的德国，有一个胖乎乎的九岁小男孩叫汉斯彼得，在家人和兴趣广泛的亲戚们的庇护下成长。乍看之下，他可能不像是个受欢迎的孩子，但他有逗人发笑的才能。每天，他在祖母的小铺子里不断提升这种能力。然而，不幸很快发生了。他乐观的的母亲在一次手术之后日渐消沉。汉斯彼得的父亲也在拼命工作中情绪低落，因此大部分时间都把汉斯彼得交给祖母和外祖母照顾。这两位老人都是个性豁达而坚毅的女性。在祖母和外祖母的照顾下，汉斯彼得熬过了随之而来的情绪波动，并用他的幽默才华治愈自己心灵上的伤口，同时让身边的人也开怀大笑。
出品单位:北京名扬星斗影视文化传媒片中叙述的是抗日战争时期，新婚不久便“守寡”的果儿（张镝饰演）在逃亡途中被猎户高满山（战卫华饰演）搭救，日久生情，俩人结为夫妻。后来高满山救了一位负伤的八路军战士，果儿认出他就是三年前“死去”的丈夫李顺红（李明阳饰演）。一时间三个人陷入感情纠葛之中，但民族大义最终战胜了儿女情长。
养蜂人老马来到闭塞、保守的 梨花村放蜂，邂逅了泼辣能干的女 村长春草。老马通过蛛丝马迹看出 春草过着一种虚假的欺骗别人的生 活，老马劝导她，二人在不知不觉 中产生了别样的感情……
故事发生在长沙的一个奇妙的夜晚。夜猫子景为为（尹昉 饰）在书店邂逅了明早将要离开故乡的何西西（张婧仪 饰），俩人相约搭伙夜游。何西西聊起同父异母的哥哥，脱口秀演员何岸（张艺兴 饰），就在今晚的演出上，何岸的父亲（罗钢 饰）出现在观众席中，俩人不欢而散。另一边，陈清智（白宇帆 饰）、梁宝琦（周思羽 饰）、老谢（吴军 饰）守护着摩天轮，他们边欣赏夜景，边感叹打工不易。夜更深了，这一晚也是网红大排档老板娘丽姐（苏岩 饰）最后一次掌勺做粉，她决定让自己的徒弟旭哥（吴昊宸 饰）接手继续经营大排档。夜晚即将过去，一群人一起坐在大排档里嗦粉，邂逅、热爱、留下、离开、和解、团圆，都发生在这座城市里，每个人都找到了深爱这里的理由。
《爸爸当家》的会员衍生节目，完整展示肖杰家的真实亲子关系、夫妻关系，沉浸式感受奶爸肖杰带娃当家的生活日常。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
月球最高监狱，穷凶极恶的伯格罗多星人鲍里斯（杰梅奈·克莱门特 Jemaine Clement 饰）越狱逃亡。他在1969年犯下邪恶罪行，最终被年轻的K（乔什·布洛林 Josh Brolin 饰） 砍掉一只手臂，送入监狱。此次他逃脱的目的，就是穿越时空杀死K。与此同时，J （威尔·史密斯 Will Smith 饰）和K（汤米·李·琼斯 Tommy Lee Jones 饰）一如既往处理各种外星人引起的混乱，因对鲍里斯的案件三缄其口，两个好搭档心生隔阂。
Heidi Schreck 戏剧的现场百老汇演员制作呈现了美国宪法的多个方面、历史观点和个人经历
El Internado (Spanish, 'The Boarding School') is a Spanish television drama thriller focusing on the students of a fictional boarding school in a forest, where teenagers are sent by their parents to study. The boarding school is situated in a forest far from the city, on the outskirts on which macabre events occur. The series debut on 24 May 2007, and is a production of Antena ...