拥有健全感性的善良人市川京太郎，对位于食物链顶点的美少女山田杏奈在意得不得了。通过观察发现山田意外的一面…!? 虽然完全不知道在想什么不过非常贪吃，不如说除了吃根本什么都没在想，简直是个脑袋空空的人型母猪。理应不会缩短的两人间的距离，奇迹会发生吗!? 就这样京太郎的青春，正非常安静地发生变化……
芭比（凯莉·谢里丹 Kelly Sheridan 配音）、思佩（Kazumi Evans 配音）、思倩（Claire Corlett 配音）和凯丽是情同手足的四姐妹，虽然她们有着迥异的性格，但是彼此之间的感情十分要好。芭比和妹妹们一起回到故乡探望奶奶，没想到竟然在阁楼上发现了一张布满了灰尘了藏宝图，根据藏宝图显示，一份失落已久且价值连城的宝藏就隐藏在她们所在的小镇里。
由倪匡编剧，何梦华导演的功夫片。凌豪与李成鹰之父，原为合作伙伴，但凌父为抢夺李母，竟施计导致李父家破人亡。李成鹰为报父仇，潜入凌家作护卫，寻找机会报仇，期间李成鹰与失散兄长坤狮相遇，在互不知情下，手足相残，幸得李母及时透露真相，最后误会冰释，兄弟俩同仇敌忾，既报仇又为社会诛灭了一个专干贩毒勾当的罪魁……
卧底警员刀世冲人称老刀,是一名经验丰富的老卧底。老刀受命来到老鬼的贩毒组织收集老鬼等人的犯罪证据而后将组织一网打尽。在任务即将完成之际,老刀向联络员提出请求,希望任务完成后恢复警员身份。然而联络员陈礼在返回大队的途中竟发生意外,被瘾君子袭击。昏迷不醒的陈礼随后被送入医院,身无任何证件的陈礼就此失联。陈礼失踪,队长邱明泽等人坐立不安,众人既担心陈礼的安危,又唯恐卧底生变,行动只得取消，而见时机已到,老刀马上联络陈礼,但陈礼的电话却怎么也打不通,就在这时,贩毒集团二号人物吴蟒妄图慕位,设计杀害了帮主宰坤。老刀带着身受重伤的宰坤拼命逃亡,宰坤临死前,将装有帮内资料的U盘及代表帮主身份的戒指全部交给了老刀……
小杰和亮亮都是学校羽毛球队的队员，由于一个误会使二人彼此看不惯关系极其恶劣。小杰的父亲是一位出租车司机家里条件很差，而亮亮家里非常有钱，亮亮更是有了天生的优越感非常看不起小杰。但怎么能想到小杰的亲生父母竟是亮亮的父母，而亮亮的亲生父母却是小杰的父母，起因都是因为医院十多年前的大火导致。二人的将来会如何呢？这一段错乱的亲情会如何发展。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
新星历时代，星际联盟建立“伊甸园”系统，此后，人类自出生起便能远离一切痛苦烦恼。不幸的是，八大星系中仍有1%的人口无法接入“伊甸园”，他们被放逐到第八星系，成了人们口中的“残次品”。其时，联盟上将林静恒被人陷害，颠沛流离至第八星系，与满怀教育理想的青年陆必行相识。然而，生活看似平静，却暗流汹涌。联盟倾覆，海盗横行，二人只得带领“残次品”们展开星际冒险，揭开层层谜团。
由韩伟达导演程小龙和宣彤主演的剧情片。
和莎莫的500天 (500) Days of Summer[电影解说]
来自新泽西的汤姆（Joseph Gordon-Levitt约瑟夫•高登-莱维特 饰）是一个沉溺于英伦哀歌与《毕业生》情境的年轻人。他供职于一家贺卡公司，任务是撰写富有创意的祝辞。某次会议上，汤姆的老板把新助理介绍给大家，她是来自密歇根的魅力女孩莎莫（Zooey Deschanel 佐伊•丹斯切尔 饰）。莎莫自幼父母离异，因此对于感情的态度与众不同。汤姆和莎莫没有一见钟情，但却在一次酒吧K歌后彼此示好，成了非典型的恋人。而且这段办公室恋情迅速升温，爱火烧得谁都无法预料。最后，在一个餐馆里，莎莫对汤姆说了绝情的分手。深陷情网的汤姆，经受不住失恋的打击，郁郁寡欢，周围的伙伴们希望帮他走出阴影，然而，这并不是故事的全部，本片以汤姆的视角把时间重新组接，让观众在对比中体味500天恋爱的弦外之音……
评点：剧中似乎掺杂有兄妹之间无知而愚昧的情节。 英国郊区，一家人搬到一幢黑色的公寓中。父亲（Hanns Zischler 饰）在修葺院子时猝死，母亲（Sin eacute;ad Cusack 饰）则自此患病，每况愈下。为了不使四个孩子被福利机构领走，母亲坚持不去医院，最终郁郁离开人世。长子杰克（Andrew Robertson 饰）与长女朱莉（Charlotte Gainsbourg 夏洛特 bull;甘斯布 饰）将母亲的尸体偷偷沉进水泥之中，带着弟妹汤姆（Ned Birkin 饰）和苏（Alice Coulthard 饰）独自生活。 四兄妹的生活虽然艰苦，却自由自在。杰克更与朱莉发展出一段禁忌之恋 hellip; hellip; 本片荣获第43届柏林电影节最佳导演奖、1993年英国第纳尔德电影节金希区柯克奖
江湖夜店，原本是一间坐落于偏远小镇的普通客栈。然而突然有一天，随着书生易水寒的到来，客栈尘封已久的神秘面纱也随之揭开。尘封多年的许愿神斧重现神光！ 获得神器的客栈掌柜思远道，本想借神斧之力振兴客栈，获得丰厚回报，却想不到所谓的神斧竟只是个极不靠谱的糊涂仙。 于是一段段嬉笑怒骂由此展开，一场场悲欢离合在这里上演，而客栈里的青年男女们，也正用青春和激情演绎着或温情或搞怪，或荒诞或动人的精彩人生！
山阳郡城，一桩刺杀失踪案，将西汉被废帝王刘贺卷入一场积怨多年的皇权斗争冷艳的绣衣使者，心狠手辣的朝廷大司马，冷血的长安御史悉数登场。宿命驱使下，刘贺、黛紧紧纠葛，他们的前世今生也被慢慢揭开。