由乡村爱情保安队长宋晓峰领衔主演，程野、霍云龙、唐娜、燕飞主演的网络爆笑喜剧；《槑头槑脑》讲述了两个“呆头呆脑”的农村青年，为梦想来到城里，用自己的执着和善良，影响并帮助三个有着性格缺陷的年轻人成功转变的故事。故事中让你捧腹大笑的同时，最后能让你有着一丝感动。
十八年前，一件失踪几百年的国宝重现江湖，却使得古玩老店叶家遭受家破人亡的厄运。年少的叶知秋背负着家族的仇恨，将自己化名为仇人的名字，踏上了寻仇之路。就当他一步步逼近仇人时，一个意外出现的女孩儿叶霜闯入了他的世界，并彻底搅乱了叶知秋原本井井有条的生活，使他彷徨不定。就在叶知秋准备放弃自己的行骗生涯时，却殊不知自己已经陷入了一个更大的骗局，在仇恨与亲情之间，在私人恩怨与民族大义之间，叶知秋将做出艰难的选择……
鲸鱼威利回到了属于自己的家园，而杰西（杰森·詹姆斯·里希特 Jason James Richter 饰）亦已经长大，成为了一名海岸科考队队员，可是，他们之间的故事并没有完结。男孩麦克斯（Vincent Berry 饰）的父亲约翰（帕特里克·基尔帕特里克 Patrick Kilpatrick 饰）是一名非法捕鲸手，有时候，当他穿梭在惊涛骇浪之中追随着鲸鱼的身影之时，会将麦克斯带在身边，这令麦克斯对鲸鱼的感情十分矛盾。 一次捕鲸行动中，麦克斯和父亲闯入了威利的领地，处境十分危急，在生死攸关的紧要关头，杰西出现化解了危机。这场意外令麦克斯逐渐了解了父亲所作所为带来的危害，可是约翰依旧我行我素。又一次，约翰在行动中落入海中生死垂危，威利不计前嫌挺身而出，救下了约翰。
六个率真桀骜的热血青年，在各种人文奇观中，完成一场真实的人间历险记，最终成为自己平凡生活中的超级英雄。六人一路前行看见最真实最平凡的中国。
青年军官梁超毕业于黄埔军校，他骁勇善战，北伐时屡立战功，当他面对红七军的时候，仗却不好打了。百色外围一仗，由于红七军营长黄勇飞的鲁莽、固执，梁超打了胜仗。但因为他违抗团长韦武命令，没有枪毙战俘红军伤员，被韦武以战场违令为由降职。与梁超交手的红七军营长黄勇飞也因不服从命令打了败仗被降职，同样被降职的两个血气方刚的青年军官从此越发互不服气，屡屡对阵为掩护韦武，梁超两次被红七军俘获，两次均被红七军释放。梁超从与红七军为敌，到领教红七军的威风和仁义，他逐渐认识了红七军，直至倒戈参加了红七军。在红七军这支人民军队里，战友的鲜血生命给他“又一条命”，人民群众对红军的拥戴，让他终于明白了红七军所以无往而不胜的原因，他由衷的感叹道：得民心者得天下啊！
身患绝症的何鉴开的饭馆生意惨淡，眼看饭馆的合约即将到期，他无力续约，约见老朋友小马前来最后一叙。谁知厨房内的食物居然开始说话，食物的味道也是出奇的好，难道饭馆有救了？
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
《Red Army》是一部关于前苏联体育盛世时期红军冰球队的电影。以队长斯拉瓦·费季索夫的视角为观众讲述。故事描绘了他从国家英雄到民族政敌的巨大转变。从苏联到俄罗斯，电影探讨了体育运动如何真实的反映了社会和文化运动，红军冰球队的兴衰也映照了前苏联政权的变迁。
这是一部以真实事件和真实人物为基础的影片。故事发生在七八十年代的马赛，让·杜雅尔丹饰演警务人员皮埃尔米·歇尔数年如一日地追查，试图捣毁马赛当地最大的贩毒组织。这个组织将毒品从土耳其途经法国运往美国，从而为美国的毒品市场提供了大量货源。1971年好莱坞导演威廉·弗莱德金执导的影片《法国贩毒网》被设置在了同样的背景之下。
正当人们准备高高兴兴过节的时候，古老的玛雅预言似乎要实现了…… 在该片中，一连串与神秘的玛雅预言及圣诞颂歌《The 12 Days of Christmas》存在某种联系的灾难将一座小镇拖向毁灭的边缘，并且这种现象正快速传遍全世界。一个父亲（Ed Quinn，《小镇疑云》）发现自己的女儿（Magda Aponowicz，《天赐》、《卡布里卡》）是「天选之人」——只有她能够阻止更大灾难的发生。但是愤怒的小镇居民全都责怪这个 女孩该为他们失去家园而负责，誓要将她置于死地。来自《太空堡垒卡拉狄加》的Donnelly Rhodes参与演出。