故事发生在1987年的美国，阿黛尔（凯特·温丝莱特KateWinslet饰）和亨利（加特林·格里菲斯GattlinGriffith饰）是一对相依为命的母子，一次偶然中，两人在购物途中遇见了满身是血的流浪汉弗兰克（乔什·布洛林JoshBrolin饰），误打误撞之下，阿黛尔和亨利将弗兰克带回了家，弗兰克亦诚恳地坦白了他灰暗的过往。原来，弗兰克是一名逃犯，他因为发现深爱的儿子并非自己亲生而在愤怒之中失手杀死了女友曼迪（MaikaBuckley饰）。随着时间的推移，弗兰克和阿黛尔之间的关系越来越亲密，两人决定带着亨利远走高飞，然而，正当计划即将顺利实施之时，亨利却将这个秘密告诉了早熟的女孩莲诺（布丽吉德·弗莱明BrighidFleming饰），这一举动为阿黛尔和弗兰克带来了灾难性的麻烦。
留着络腮胡的男子不知因何种罪行被投入牢房，与他同室的只有一个稍微有些上了年纪的老人。两人简单地打了招呼，络腮胡故作镇静地询问对方的姓名和坐牢时间，他还颇有些自来熟的翻看对方的书。这时老者床上的一只红色箱子引起了后来者的注意。当他试图打开箱子时却被老者警告禁止打开。络腮胡对老人的警告嗤之以鼻，老人也不愿跟他过多地说些什么。这个男人执拗地打开盒子，却发现里面有一个和牢房格局一模一样的空间，他试着把手伸进去，与此同时惊讶地发现牢房内出现一只巨大的手，而那只手显然正是他自己的！
延续了印度英雄罗希的故事：罗希得到外星人所赋予的超能力与智慧后，邂逅了一位美丽女子并生下儿子克里许那。然而因为一场交通意外，克里许那失去了双亲，和祖母相依为命。
达伦·阿伦诺夫斯基将执导、编写新片《庞然大物》(The Whale)，布兰登·费舍(《森林泰山》《木乃伊》《地心历险记》)主演，A24出品。 基于Samuel D. Hunter创作的同名戏剧，讲述在爱达荷州乡村一个破旧的公寓里，重达六百磅的查理隐居避世，固执、坚决地要把自己吃死。随着查理越来越接近不可避免的命运，他的朋友丽兹(一个愤世嫉俗的无神论者护士)和埃尔德·托马斯(一个年轻而有前途的摩门教传教士)都试图在查理身上找到能被拯救的意志，无论是肉体上还是精神上。然而，只有与查理关系疏远的女儿艾莉才能让他看到目前绝望状态之外的未来，艾莉虽然尖酸刻薄、充满仇恨、浑身是刺，查理却能在她身上找到最后一次赎罪的机会，甚至可能是一丝希望。
出道十五年的祐荣，第一次因为命运的逆转站上了蹦极台。紧接着心跳游戏，谁又获得了特权....
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
国际巨星杨昊，把曾经的老板收为麾下管家，曾经中戏的男神变成杨昊的贴身助理，每天过着纸醉金迷、灯红酒绿的生活，忽然间的一场梦，把他带到了几年前奋斗拼搏的时候。老板还是老板，男神还是男神，而杨昊就是一个做着明星梦的屌丝。因为周总的刁难施压，杨昊与乔子晴合作一起为他们的电影《不看别后悔》找投资，在找投资的路上碰到了形形色色的人，经历了各种各样的坎坷，经过一系列的乌龙过后，最后终于拉到了投资。当他回到现实的时候发现曾经的人、曾经的事，早已不是最根本的样子，娱乐圈将他变得人不人，鬼不鬼...
快递小子丁浩因一次偶然的机会接触了跑酷，一个队员受伤无法比赛，丁浩过得抓住了这次机会，并且顺利通过了面试加入了跑酷少女叶小萌的队伍，因为这次跑酷，丁浩耽误了自己的本职快递工作，被老板责骂，弟弟丁磊整天无所事事，还欠了一大笔外债，逼得丁浩只好卖了心爱的机车，叶小萌知道后偷偷买了回来送给丁浩，丁磊偷了张升的手机，结果张升发现了丁磊和丁浩的关系，为了赢得城市跑酷对抗赛，绑架了丁磊，顺势要挟丁浩输掉比赛，丁浩只能听从。结果李茉莉听到了张升的计划后，告诉了叶小萌，叶小萌因为误会了丁浩和张升一起欺骗自己，找到丁浩，告诉丁浩真相，丁浩于是将计就计，让张升放松了警惕，最终赢得了城市跑酷对抗赛的胜利。
Arrested Development讲的是一个很有钱的家庭Bluth家庭的故事.主角Michael是家中二子，他一直辛辛苦苦的为家族工作，希望有一天能够接替父亲George Sr.的位置.结果在第一集里，爸爸George Sr.把董事长的位置交给了他妈妈Lucille.就在大家庆祝爸爸的退休聚会的时候，警察出现，带走了George Sr.，罪名是他们家族的人把集团当成了私人提款机，到处乱花钱.Michael原本很受伤，打算去另一个公司工作，最后还是决定留在家族打理各种事务. 主要角色还包括GOB,Michael的大哥（由Amy Poler的老公扮演）.GOB是一位魔术师，成天只有破坏没有建设，还有点异想天开.Michael的儿子，George Michael（汗）.George Michael有着良好的家教，算是这个自私自利家族里的异端（他爸爸偶...
在日本岐阜县某座城市，生活着无忧无虑的小黑猫鲁道鲁夫（井上真央 配音）。原本优哉游哉陪伴着小主人理惠的他，不小心钻进了货柜车中，结果一路被带到了东京。在这座完全陌生的大都会里，他邂逅了认识人类文字的流浪猫首领——虎斑猫易白易阿特那（铃木亮平 配音）。 由于对自家的情况说不清道不明，所以易白易阿特那认为鲁道鲁夫很难回到故乡了。失落的鲁道鲁夫被迫开始了流浪猫的生活。在此期间，他跟随易白易阿特学习人类文字，从而掌握了许多珍贵的求生技巧。而从新交到的朋友布奇（八岛智人 配音）那里，他得知了能够回到老家的办法。可是就在启程的第一天，易白易阿特在和牛头犬德比尔（古田新太 配音）的争斗中身负重伤……