金判秀被戏院开除后，为了儿子的学费而不得不去行窃，不料却失风被抓，被盗的主人正巧是朝鲜语学会的代表柳正焕。判秀阴错阳差地获得在朝鲜语学会工作的机会，处在母语被禁止的时代，两人于所剩不多的时间中，必须在日本帝国高层的监视下完成属于朝鲜的字典……
故事发生在遥远的1500年前，沃提根（裘德·洛 Jude Law 饰）背叛了自己的哥哥尤瑟王（艾瑞克·巴纳 Eric Bana 饰），导致了人类和巫师之间维系了百年的平衡被打破。幸运的是，尤瑟王唯一的后裔逃过了一劫，这令他的血脉并不至于就此断绝。 一晃眼15年过去，小小的婴儿被取名为亚瑟（查理·汉纳姆 Charlie Hunnam 饰），成长在社会的最底层，并且对自己的身世一无所知。沃提根杀死了哥哥之后独揽大权，施展自己的铁腕统治手段，一时间民不聊生。一次偶然中，亚瑟拔出了一把深深插进了巨石中的宝剑，在传说中，这把剑只有拥有王室血统的人才能够举起。这一消息很快就传到了沃提根的耳中，亚瑟遭到了逮捕。
佩内洛普（克里斯蒂娜•里奇 饰）出生在贵族家庭，可是她的家族被诅咒了她一出生便有着一个猪鼻子。佩内洛普对自己的样貌感到十分的自卑，她羞于与一切人交往，要想解除这个诅咒，便要得到一个出自真爱的吻，才能让佩内洛普恢复美貌。 女儿长大了，佩内洛普的父母极力张罗她的婚事，佩内洛普也想找到个真正爱她的人解除魔咒。可是每个看到佩内洛普真面目的男子都落荒而逃，
《偶然的社长》是突然负责乡村店铺的都市男人们的‘乡村超市营业日记’，车太铉与赵寅成已确定回归第二季。
EndingCut是指拥有入殓师技术的理发美容师，一边倾听遗属的声音，一边修剪故人的头发、染发等…。对于忙于匆忙的葬礼工作的遗属来说，约2小时的EndingCut，会产生与死者最后告别的时间。对于谁都无法避免的“重要之人的死”，剩下的家人能做些什么呢？主角迫田结（芦田爱菜饰）是住在海边小镇的高中3年级学生，父亲和俊（佐藤隆太饰）和母亲七海（广末凉子饰）是美容师，夫妇俩经营着一家小美容院，从小就喜欢画画的结，以升入美大为目标，在街上的画塾上学，临近推荐入学考试的结，虽然花了一个夏天画了一张画，但是被作为画塾讲师尊敬的那须薰（MAIKO饰）指出有什么不足。但最近和俊的样子很奇怪让结很担心，常把店交给七海，自己只做外出剪发的工作。有一天，结在去画塾的途中，看到了穿着丧服的和俊觉得可疑，就追在和俊后面，好不容易走到的地方是葬礼场，结追问了出来的和俊，并坦白说开始接入殓遗体剪发的EndingCut工作。
生意失败的谢健为躲避债务躲进地下室，正在跑步机上跑步的他突然接到失踪已久的好友王言的电话。王言声称他在谢健跑步机下安装了一枚传感器炸弹，炸弹必须感应到谢健脚步的压力和频率才不会爆炸，谢健如果不想被炸死，就必须一直跑下去，这是七年前自己遇险时谢健见死不救、独自跑掉的惩罚。跑步机的跑带像时间的洪流奔腾不息，谢健的生命也在一点点流逝。犹如困兽的他反省自己的医生，突然发现自己曾经伤发过太多的人。谢健痛中思痛，一边奔命一边借助一部手机，向那些曾经被他伤害过的人们开始了临终忏悔。随着这场临终忏悔的进行，谢健得知了一个又一个让他震惊万分的真相。
DirectorGaryHustwit(Helvetica,Objectified)completeshisdesignfilmtrilogywithUrbanized.Exploringthedesignofcitieswiththeworld’sforemostarchitects,policymakersandengagedcitizens,Urbanizedframesaglobaldiscussionabouthowthedesignofourcitiesaffectsourlives.
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
tvn独幕剧。暂处事业失意阶段的导演/编剧女主与昔日恋人当红编剧男主因剧本改编一事而再次相交集所引发的故事短剧。
讲述了腹黑聪明的女主许舒贝(陈艳茜饰)为了报双亲逝去之仇，步步为营，利用一切手段接近复仇目标，却落入情感与记忆的陷阱。许舒贝在复仇过程中与盛世集团继承人盛筠(蒙恩饰)、富二代尚铭(祖怀饰)、以及夏家千金夏伊娃(杜雯静饰)三人有着复杂的情感关系，在复仇与情感的旋涡中迷失的她发现了关于记忆移植的惊人秘密。
大委与靓丽的医院护士、酷爱唱歌的丁雯处于似明似暗的恋爱中为了实现丁雯当歌手的梦想，大委和他的一帮朋友倾情相助，一起组建了乐队。过程中他们历经重重坎坷，却怀揣梦想不愿放弃，可这时丁雯却要出国深造学习……他们最终能否走到一起呢？
江湖新手逍遥生、剑侠客除去了为祸长安的食婴鬼，却因此陷入了更大的谜团。他们为此前往遥远的灵兽村，一路上结识了魔族少女狐美人、骨精灵和各色江湖人士，收获了成长和情谊，却也被卷入了更大的危机。该动画将融合武侠、玄幻、热血、历险、等元素，向观众呈现一段跌宕起伏的江湖传奇故事！