十年前痛失战友的战士，编号9527，接受穿越刺杀任务，却得知任务需要回到十年前的事件中射杀目标，而当时他的战友也在场，面对上级的强制命令，带着遗憾的9527面临两个选择1:完成任务，但战友会牺牲2:救回战友，但时间线会被扰乱。。。
1953年1月31日晚，西南地区的沿海堤坝未能挡住来势凶猛的洪潮，荷兰遭遇了一场史无前例的大水灾。这场水灾共夺去了1835条生命，让72000人流离失所。56年后的今天，一部名为《暴风雨》(De Storm)的电影再现了荷兰近现代史上最惨重的自然灾害。 “过去从未有人试图拍摄这样一部片子，”现年62岁的导演本·桑伯加特(Ben Sombogaart)在电影公映前告诉AFP通讯社，“这非常复杂，除了技术问题，也因为许多幸存者仍然健在。” 1953年的这场大水灾将泽兰省、北布拉邦特省和南荷兰省的20万公顷土地以及3千座房屋淹没。 《暴风雨》这部电影讲述的是19岁的朱丽亚极力寻找她在水灾中失散的幼小儿子的故事。寻子过程中，朱丽亚得到了一位英俊的士兵的帮助，这位士兵之前还在洪水来袭时救了她的命。 影片真实地展现了朱丽亚在黑暗冰冷的水中拼命找寻她的孩子，高过屋顶的洪水里四处漂浮着牛羊的尸体。 所有户外的镜头都是在比利时一座名为Tielrode的小镇上拍摄。为了再现当年的场面，镇上的一部分土地在去年秋天长达六个星期的时间里被水淹没。 “在水中拍摄非常困难，”导演介绍说，“需要花正常拍摄三倍的时间。而且非常寒冷，演员们需要游很多泳。” 1953年本·桑伯加特导演年仅6岁。
佐敦（吴镇宇饰）因为欠下元朗大哥新界安（任达华饰）十多万赌债，被迫逃跑。而同一时刻，孤女Judy（吴君如饰）也带着行李离开丈夫，返回元朗。 佐敦好友嘉华（刘以达饰）在元朗遇见债主新界安，打电话给佐敦求救，佐敦赶往途中遇见Judy 在街上狂奔。Judy正赶往医院探望刚撞车的爷爷，佐敦好心相助，载她到医院后才去救嘉华。但一到便被殴至头破血流，入院疗伤又遇见Judy
“在最美的地方遇见，同时失去。”在北京打拼的欧阳正东（王东饰）经历母亲及女友思桐相继去世，身心备受折磨成为一个“躯壳”，性格扭曲分裂，白日的他，正常工作的冷漠总裁，夜晚来临时，便行尸走肉，用酗酒摧残自己，而他的助理池菲儿（肖涵饰）目睹这一切，暗恋并爱上这个男人，渴望安抚时，却发现欧阳正东内心深处并没有她的位置，醉酒后的一夜欢愉也只把她当做替身，池菲儿选择等待，欧阳正东却选择通过远行救赎自己，在这趟远行中无意撞伤到草原追求理想的富家千金童一彤（贡米饰），导致她失忆，智力停留在十岁，欧阳正东把思桐的名字灌输了她，而在照顾思桐企图赎罪的途中，被她的单纯打动，爱上了她。欧阳正东在离天堂最近的地方救赎了自己，也遇见了自己最美的爱情，然而病魔并没有给他机会拥有。…
被授予勋章的退伍军人和创伤后应激障碍患者杰森·希尔（杰森·希尔饰）与妻子珍妮弗在退伍军人事务医院共进午餐。詹妮弗被召去与美军参谋长联席会议负责人进行紧急会诊后，医院被全副武装的恐怖分子劫持为人质。杰森成了最后一道防线，必须与恐怖分子和他自己的创伤后应激障碍引发的恶魔战斗，才能拯救他的妻子、将军、医院的工作人员和病人。
故事发生在英国维多利亚女王（杰西·巴克利 Jessie Buckley 饰）统治时期，多力特（小罗伯特·唐尼 Robert Downey Jr. 饰）拥有着能够和动物交谈的特殊能力，和妻子一起在老家经营着一家动物医院。 一场意外夺走了多力特妻子的生命，这巨大的打击让多力特封闭起了心门，拒绝和任何人类接触。一天，一个名叫汤姆（哈里·科莱特 Harry Collett 饰）的男孩闯入了多力特的家，带来了一只受伤的松鼠，希望多力特能够救它。与此同时，维多利亚女王患上了一种怪病，于是派出了侍女萝丝（卡梅尔·拉尼亚多 Carmel Laniado 饰）去拜访多力特，请他出山。多力特所拥有的动物庄园归属于女王的名下，如果女王去世了，那么多力特将失去他和动物们这唯一的乐园。
This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve, humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects. comments from imdb This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films. This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away. The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking. I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever. 15 out of 10 and then some. 1010 Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy. And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy. The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks. Intelligent, emotional, tragic and real, this is an absolute gem. 910
一头扎进历史研究几十年的约瑟芬，在优雅漂亮、光芒四射的姐姐伊丽丝面前简直一无是处：父母不疼、姐姐不爱、女儿不尊、丈夫干脆和情人私奔到非洲养鳄鱼。某个上流社会的例行晚宴上，伊丽丝谎称正在写一部历史小说，在场的出版商立刻向她表达了出版意愿，实在写不出“杰作”的伊丽丝被迫向约瑟芬求救。碍于经济窘迫，约瑟芬同意捉刀，孰料作品一经面世竟令整个巴黎沸腾，也将姐妹俩的人生彻底颠覆……
一宗离奇的尸体失踪案一起轩然大波，嫌疑人疑似死者的丈夫。面对“嫌疑人”的异常沉默和深入案件后涌现的诸多疑点，律师决定为当事人做“无罪辩护”。然而，提起公诉的检查官则认定“嫌疑人”就是手刃自己妻子的凶手，双方在法庭上唇枪舌剑、针锋相对。迷雾缭绕的案情背后，真相竟超乎所有人的预料……