Mr.Tomasz,whosometimesintroducedhimselfasTomasztheVagabond,wascalledbyhisfriendsMr.Samochodzik.Heowedhisnicknametoanunusualvehicleinheritedfromhisuncle-inventor.Thiscar,althoughugly,"acrossbetweenacanoeandawheelbarrow",asthemaliciouspeoplecalledit,hadincrediblecapabilities:withaFerrari410engine,itcouldrunataspeedof280kmperhour.Thankstothescrewused,itservedasamotorboat.Inthisvehicle,Mr.TomaszwenttoPolandtodecipheranotherhistoricalmystery,tocatchthievesandsmugglerstryingtostealvaluablehistoricitems.Treasurehuntingisgreat,but...it’sbetterthatnooneinterfereswithit...Inthemeantime,someDanesandasuspiciousgroupofPolishyouthfollowthetrailofMr.Samochodzik’ssearchintheTeutoniccastlesandtheheadquartersoftheTemplars.Tofindthetreasureyouneedalotofknowledge,cunningand...alotofluck.Whowillhavemore?
李智杰（李克勤 饰）将自己的事业经营的风生水起，感情方面亦春风得意，他的女友是温柔美丽的黄金凤（胡静 饰），两人交往多年，感情一直十分要好。然而，让李智杰怎么也想不透的是，黄金凤屡屡拒绝自己的求婚，然而，当她好不容易接受了求婚戒指之时，却提出想让李智杰先见一见自己的家人。 就这样，李智杰来到了黄金凤的家中，见到了她的家人。让李智杰没有想到的是，这一家人竟然是如此的难以取悦，他们百般刁难李智杰这位准女婿，让李智杰吃尽了苦头，十分抓狂。然而，李智杰对黄金凤的感情是如此坚定，决心用自己的智慧和爱心将难题一一化解。
英国作家詹姆斯·米勒（威廉·施梅尔 William Shimell 饰）来到意大利城市托斯卡纳为新作《合法副本》举办讲座。他与读者讨论书中的观点：关于艺术创作真实性的议论是毫无必要的，因为复制品本身即是原作，原作也是由其他作品复制而来。一个做古董买卖的法国女人（朱丽叶· 比诺什 Juliette Binoche 饰）带着11岁的儿子参与了讨论会，想为刚买的书索要签名。中途因为儿子饿了她提前离开，临走时留下了一个电话号码。 米勒和女人在她的古董店再次相遇，他们驱车去郊外看一样东西。她开着车载着米勒无目的游荡，谈论书的主题，参观博物馆，谈论她叛逆的儿子，两人一路上争吵不休。在一个咖啡馆，女老板以为米勒是女人的丈夫，就开始和她围绕米勒讨论起婚姻。于是他们将错就错，米勒开始扮演女人的丈夫，两人约会，去宾馆。但是副本只是复制，而非原作，米勒结束复制身份，独自离开了郊外。 比诺什凭借此片获得第63届戛纳电影节主竞赛单元最佳女演员奖。
讲述了武当派张翠山之子张无忌无意中卷入屠龙刀而起的江湖纷争之中，因缘际会练就一身盖世武功，主要是明教和中原武林之争及起义军和腐朽朝廷之间的对抗。
内详
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
港台一带发生不少枪击罪案，经调查乃大陆一些不法之徒所为，黑松乃黑道大哥，为赚钱无恶不作，一次约好买家法兰于离岛作大批军火交易，但消息走漏被肥陈一伙埋伏欲杀人夺货，伺机再和买家联络，警方甚为重视这案件，分派人马往大陆调查及加强水陆两路的调查，探目阿明因犯错而被上司停职，失意之余流连酒吧，交上黑松，松邀他同往菲律宾发财，明答应，黑松命手下将军火运至食人岛，谁料遭食人族追杀，几经辛苦摆脱，但军火却不知道所踪，法兰在菲律宾聘杀手阿星追击黑松，以为他吞去军火订金，幸阿明出面保护，黑松将军火失落在食人岛之事告知法兰，彼此商量后决定联手同往找寻，众人至岛上，岛民见生面人而展开攻击，阿星被岛民捉去，欲与族长之女儿恋上，黑松等人在山洞内发现军火，双方展开争夺战，俩皆被对方击毙，阿明死里逃生，押着大批军火回港……
大陆卧底公安巩伟（李连杰 饰）因工作关系，不能给与重病的妻子更多照顾，也不能为懂事又武艺高强的儿子巩固（谢苗 饰）提供更多关怀，在妻儿急需要他的时候，巩伟因上司的命令，假扮罪犯，和大陆抓获的香港黑道分子小黑（柯受良 饰）一同逃跑，踏上了远赴香港甫光（于荣光 饰）团伙卧底的旅途。巩伟与甫光团伙在炸弹交易中黑吃黑，混战中搭救了香港督查方逸华（梅艳芳 饰），并凭借出色身手得到了甫光的信任。方逸华来到北京调查巩伟身份，获知真相，并在巩妻去世后带领巩固至香港寻父，方逸华上司将巩伟巩固父子身份暴露，使巩伟处境危险，而此刻甫光策划的拍卖抢劫行动亦迫在眉睫……
《无手老师》通过对青海省模范残疾教师马复兴身在贫困山区学校艰苦执教，书写人生大爱的感人事迹为故事线索，以生动细致的情节和特定视角讲述了马复兴老师与学生间的深情厚谊，让人们感悟出什么是真诚奉献，每个人对社会、对生活应尽什么样的时代责任。
圣诞特别集的故事将从圣诞夜讲起。这是Helen和Hugh婚礼的前一天，James还处于心碎中，试图掩饰自己的痛苦。但斯盖尔谷宅邸正在举行一年一度的圣诞聚会，而James邀请了自己的新女友Connie作为客人。 准备工作井然有序地进行着，Tristan用槲寄生装饰了门厅，Hall太 太准备了一桌盛宴，期盼着自己儿子Edward回家过圣诞节。Siegfried对于Dorothy的出现十分欣喜，思索着是否该不再那么小心翼翼了。 大家都聚在宅邸里欢庆节日时，James接到了Bert Chapman寻求帮助的电话，他家的狗分娩不顺。James不得不离开聚会，而Helen表示她想一同前去，远离大家对婚礼的讨论，James对此十分意外。 来到Chapman家，James需要处理一只卡在产道的小狗。Helen看得出来他十分热爱兽医这个职业。到要离开时，James震惊...