影片为年代不可考（美国台湾合拍）的古装片，讲述了一个渔民在水底偶然发现了一只神奇的魔盆，此魔盆想要什么就可以给什么，小渔民欣喜若狂，立即要了一大堆银子，摆脱了贫困。从此小渔民便摇身一变成了一个有钱人，到处摆阔和招摇，不久终于惹来了一干贼人惦记，差遭杀身之祸，但凑巧也同时出现了两位美人保镖护身，遂使小渔民逢凶化夷。你侬我侬，两厢似都有情，于是，小渔民一竿双挑，将这对美人姊妹一块纳了。不想此姐妹乃是——一对狐狸精，是被一个像《倩女幽魂》里的姥姥一样的老妖狐派来夺取那个宝物魔盆的，这个魔盆隐藏着一个更大的秘密，它牵涉着一部天书，这部天书又记载了一个异次元仙境里的一把神剑的地点……总之很复杂。随后，老妖狐追来，与后来将会练成盖世武功、获得巨量内力、拔出日月神剑的小渔民展开了一场旷古绝今、天上地下、中西合壁的仙怪大战。最后，经过这一场飞来的奇幻艳遇和浩劫后，小渔民仙缘既了，被从太虚九霄直接裸体抛进了海里，娘子也没有了……
有着两千多年历史的桃坪羌寨，它坐落在远离城市的大山深处。在现代化的今天，先进的交通工具将世界各地的游客研究者带到了这个神秘而又迷人的所在。寨子里的人们十分好客，他们拿出美食醇酒款待客人，同时不忘提醒他们千万不要随便亲吻寨子里的姑娘。因为对于这些纯洁无暇的女孩来说，那一吻就是决定终身的定情之吻。某天，来自美国的建筑学博士杰克（约翰•罗宾逊 John Robinson 饰）拜访桃坪羌寨，他希望能好好研究一下即使在08年大地震中都能完好无损的吊楼构造。谁知杰克出师不利，他不小心接触到当地的毒草“夺命草”，关键时刻有位美丽的羌族女孩以嘴对嘴的方式将解药草汁送入了杰克的口中。而这一吻则让媛妮（李小璐 饰）、草芬（金雨霏 饰）的命运发生改变……
故事发生在由德川幕府统治的江户时代，设定中，胸部的尺寸成为了定夺一切的标准，胸大则成王，胸小为败寇。因此，拥有着祖传的可以使胸部增大的秘传书的魔乳一族，其手中才真正掌控着一切的生杀大权，家族中的长老魔乳胸侧（斧敦志 配音）更是以其高超的剑术闻名于江湖之中。作为魔乳家的小女儿，魔乳千房（寿美菜子 配音）一直都对魔乳家女性的悲惨命运深感不平，她本人更是发誓，不被家族的命运所掌控。
何炅、谢娜、井柏然、董子健组成“春夏秋冬”主播团，以电话连线的形式，通过声音互动来为全国听众排忧解难。同时收集来自全国各地的信件，分享与倾听现代都市人的故事和情绪。并开启全民共创，向观众发起玩法征集，互动升级。同时全新升级，在温暖的主调下，主播团与见习主播一起发现收获小美好，体验分享小美好。广播小站倾听普通人的幸福与烦恼，收集美好、传递温暖、治愈心灵，日常与广播相互协作成就最美好与温暖的生活。
影片以架空都市的公司高冷白领，机缘巧合卷入一桩光怪陆离的神秘事件，在保卫国家财产和维护世界和平为背景，以轻喜剧的方式，讲述了一个拥有科幻元素的现代玄幻故事。原本拥有平常人生活的大义面前，是选择事不关己还是奋勇献身。 本片主人公因练武之人的侠义善良和作为一个普通公民的责任心，勇敢抉择，义无反顾地与黑恶势力决战到底。全片弘扬人性真善美意在唤醒现代人心中纯洁美好的本质，同时将亘古不变正义必将战胜邪恶的道理深植入人们心中。全片正面人物设定满满的积极向上朝气蓬勃，在面临不幸和困境时皆以阳光健康的心态待人处事，非常适合年轻人观看，为年轻人端正生活状态树立了正面榜样。同时，主人公之间因为共同的目标而培养的坚定的感情，更是向年轻人传达了积极健康向上的感情观念。 电影《灵女天师之凶宅探秘》是由百悦中齐(北京)文化传媒公司独家出品，百悦中齐(北京)文化传媒公司制作，北京溢彩影视文化传媒有限公司独家发行。赵凯担任制片人，高洁执导，刘威辰编剧，王添一，马尔辰联袂出演。
翁蒂娜和保罗曾经相爱。当翁蒂娜离开保罗，他发誓自己不会再爱了。为了证明自己，他去追求美丽的卡米尔，打算引诱她后再抛弃她。但卡米尔希望保罗只属于自己，并在他身上施了魔咒。慢慢为卡米尔的魅力所倾倒，保罗不得不面对他旧爱的记忆。
《上善若水》系列影片通过一则则曲折感人的爱心故事来展现生活中人性的真善美。本片以一个受助贫困大学生寻找好心资助人的过程为主线，结合汶川大地震中爱心传递的故事，诠释大爱无疆的社会真情。影片由新生代导演武洪武执导，著名演员李小萌、彭波、曹秋根、胡洪诚等担纲主演。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
58岁的母亲吴艾草（潘丽丽 饰）跟其他台湾师奶别无两样：膝下一双儿女，生活清闲平静。早年间曾与异乡老师私奔，可算是思想开放的女性。然而她在不经意间发现了小儿子宋海（莫子仪饰）举止异常，种种迹象都证明儿子是名同志。面对儿子的离经叛道，艾草并没有道破，但也使她无所适从，困惑不已。此 时，留学而归的大女儿宋伶（周姮吟饰）居然带回了跟黑人所生的私生女。这时的艾草再也按耐不住，长年建立起来的伦理观瞬间崩塌。作为一名母亲，她不能接受这种违背社会道德的行为。面对社会舆论的压力，艾草的内心陷入苦苦的挣扎中。最终，她会接受子女的选择么？
9月28日 22-23赛季欧国联第6轮 阿尔巴尼亚VS冰岛
1998年夏，皮耶罗决战世界杯，10岁的晓阳也想像他一样当老师的爸爸拒绝为他的校队申请书签字，忙着角逐梅花奖的妈妈也没空搭理他。在没有兄弟姐妹的年少时光，隔壁怪爷爷成了晓阳的好朋友。他们一起踢球，一起出游。孤独的夏天，他窥见了爸爸、妈妈和爷爷的秘密。2018年的晓阳会不会仍怀念那个闷热、美好又充满烦恼的夏天？