我的野蛮公主睡美人篇
汤尼（雷·米兰德 Ray Milland饰）和玛戈（格蕾丝·凯利 Grace Kelly 饰）是貌合神离的一对夫妻。汤尼常常为了他的事业和爱好，把娇妻忘在一边，二人感情亮出红灯。而生活寂寥的玛戈和作家马克不可避免的擦出爱之火花，他们约会、通信，不料竟被汤尼发现。汤尼没有 声张，只是写了一封匿名信给妻子以示警告。然而现在马克竟然造访家中，为了一雪耻辱，加之图谋得到妻子玛戈的丰厚财产，汤尼暗生毒计。 汤尼向旧时同学列斯开出了一千英镑的价钱，让其参与他布下的一整套严密杀人计划。这套计划有设计精妙的凶手不在场证据，电话、钥匙，窗帘，统统成为这个阴谋的道具设置。然而计划终究赶不上变化，列斯不但得不到赏金，还要赔上自己的性命。而汤尼却也急中生了智……
在美国职业棒球大联盟MLB中，比利（布拉德•皮特BradPitt饰）所属的奥克兰运动家队败给了财大气粗的纽约扬基队，这让他深受打击。雪上加霜的是三名主力纷纷被重金挖走，未来的赛季前途渺茫。在管理层会议上，大家一头雾水，只有他暗下决心改造球队。一次偶然的机会，他认识了耶鲁大学经济学硕士彼得（乔纳•希尔JonahHill饰），两者对于球队运营的理念不谋而合。凭借直觉和经验，他仿佛找到了破解金元棒球的钥匙。他聘请彼得作为自己的顾问，一起研究如何打造最高胜率的球队。他们用数学建模的方式，逐渐开始挖掘上垒率的潜在明星，并通过软磨硬泡将他们招致麾下。他们不在乎高层的冷嘲热讽，只是专心地为球队寻找信心和实力的根源，终于新的赛季开始了……影片改编自迈克尔•刘易斯的《魔球—逆境中致胜的智慧》（Moneyball:TheArtofWinninganUnfairGame）。
20世纪60年代，日本进入经济高速增长期，国内局势日渐稳定。在此基础上，黑社会与政府的蜜月期宣告结束，大规模的取缔行动席卷全国，曾经风光一时的黑社会开始举步维艰。在这风云变幻之际，出身横滨贫民窟的郡司健策（菅原文太 饰）继承滨安组，成为该组第四任老大。适值此时，贫民窟土地改造工程启动在即。为求生存，滨安组上层组织岩切组老大岩切安次郎（内田朝雄 饰）说服郡司与政府合作，接手贫民窟的拆迁工程。面对这片从小生长起来的土地，郡司心中矛盾重重。 另一方面，来自东京的大门组为扩张势力，企图染指贫民窟工程。各方势力交汇于此，流血冲突在所难免……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
本片根据真实事件改编。23岁的青年德仔（徐天佑 饰）与酗酒的母亲（惠英红 饰）相依为命。除了帮衬母亲的小杂货铺，德仔平日里无所事事，与附近高中15岁的少女盈（黄明慧 饰）谈起了恋爱，并发生了性关系。德仔与盈之间的情事被盈的父母发现，对方大发雷霆，向德仔的母亲索要一笔巨款，并威胁说要对德仔提出诉讼。软弱的德仔惊慌失措，心急的母亲找到离婚的德仔父亲借钱，却依然无法使盈的父母放弃诉讼。情急之下，德仔与两名朋友约了盈和其好友到郊外谈判，却没想到言语不合出手杀人。已经一无所有的母亲，究竟该如何面对儿子闯下的这无法收场的惨剧呢？
Fearless and playful, she acts on instinct; both avenging angel and a bit of a shit stirrer; deeply empathetic and blunt to the point of rudeness. And with a deeply irreverent sense of humor to boot. Other than the fact her husband died a few years ago, very few people know much about Alexa or why she left the force, rendering this woman a mystery in and of herself. And Alexa c...
当卡拉汉家掀起一个和平的家庭度假在山上他们没有想到个人的恶魔跟随他们。孩子们发现在僻静的小屋一个超自然的存在和两代人的秘密被揭示，永远变化着的生命以及死亡。
林立果选美故事
在浩瀚的宇宙深处，驻扎在某小行星的地球联邦军队凯西堡垒遭到宿敌虫子大军的攻击。强袭舰雅丽莎号的彪勇战将奉命救援，在这个沦陷的基地内，却发生令人费解的一幕。超能力战略官员卡尔·詹金斯博士将卡门所负责的战列舰约翰·A·沃顿号的指挥权夺走，不知下落。战争的最后，雅丽莎号的战士们救出幸存者，小星星也在爆炸中灰飞烟灭。为了查清消失的战列舰的下落，强尼·瑞克命令返航途中的雅丽莎号迅速掉转船头，追赶约翰·A·沃顿号。效用彪悍的勇士们合二为一，开始了新的漫漫征途…… 本片为《星河战队》系列发表15周年纪念作品。
影片聚焦神秘流浪汉保罗(霍克饰)为穿越墨西哥贫瘠沙漠，决意铤而走险途径“暴力山谷”，各色危机也就此接踵而至。