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《小饰和洋子》：虽然双胞胎姐妹小饰和洋子（小林凉子 分饰）有着同样的面容，但是妈妈（松田美由纪 饰）却更加偏爱前者，洋子感到自己随时都会被妈妈杀掉；《七个房间》姐姐（市川由衣 饰）和弟弟智司（须贺健太 饰）被人关在紧闭的房间内，相似的房间还有6间，每间都有一个女人。邪恶的男人每天杀掉一人，从不间断；《So Far》：似乎一场车祸，让原本冷淡的夫妻互相看不到对方，坚信对方已经死去。儿子（神木隆之介 饰）在他们中间充当传声筒，渐渐感到自己的灵魂深处开始撕裂；《向阳之诗》男子（龙坐 配音）制造出了美丽的女孩（铃木かすみ 配音），只希望她有朝一日将其埋葬；《动物园》他（村上淳 饰）在废弃的动物园杀了要分手的她（浜崎茜 饰），并每天为尸体拍摄照片，诡异的事情随即发生……
约翰．赫斯顿导演的犯罪电影经典之作，他采用具有睿智洞察力的手法来探索一群珠宝大盗的悲剧命运。萨姆．杰夫饰演一名释囚，他召集了四名伙伴一齐抢劫珠宝行，准备在得手后销赃给一名律师换取百万巨款。当他们顺利劫得珠宝撤退时，却被一名看更破坏好事，导致其中一名歹徒在逃走时受伤。另一方面，出资赞助这次抢劫的赌场老板被贪污警察逼供，招出了集团成员的名字，他们乃难逃劫运。全片情节推展紧凑利落，每个角色均具鲜明个性，因而凝聚出强烈的戏剧张力。玛丽莲．梦露首次在银幕上扮演单纯而性感的情妇角色，从此展开了亮丽的星途。
电影《呼啸山庄》改编自艾米莉·勃朗特同名小说。 此版在第12届奥斯卡奖评选中获得最佳摄影（黑白片）奖。 迪恩先生把一个叫希斯克利夫（劳伦斯·奥利弗 Laurence Olivier 饰）的吉普赛男孩带回呼啸山庄。女儿凯西（梅尔·奥勃朗 Merle Oberon 饰）爱上了他，但又不愿放弃优裕的生活。希斯克利夫得知后悄然离去，凯西则嫁给了邻居艾德加（大卫·尼文 David Niven 饰）。几年后希斯克利夫风度翩翩地回来了，买下了呼啸山庄。艾德加的妹妹伊贝拉爱上了他，他与伊莎贝拉结婚却对她冷淡无情。凯西也因为悲伤过度而濒临死亡。希斯克利夫心神错乱，在哀悼凯西、期待死亡中捱过了20年。他对周围一切人都极端轻蔑、百般折磨，直到凯西的幽灵在一个严冬的雪夜把他召唤到他们最喜爱的荒原上某个地方，在死亡中重新聚会……
一群年轻人相约去野外郊游，他们在车上听着摇滚乐，肆意地享受着青春的快乐。然而，中途汽车爆胎，他们不得不开始徒步旅行，奔向那年久失修的攀岩圣地。两对恋人和一个单身汉用一张合影记录这个时刻，然而前方的路却不太平坦，处处危机四伏。他们来到了一个峡谷，两边都是悬崖峭壁，这种迷失 的感觉，让他们有些沮丧。不过，领头人安东（贾斯汀•布朗卡特 Justin Blanckaert 饰）显然更加乐观，他尝试着用攀岩的方法度过危机，于是其他人也跟随前往，5个人在高空中相互配合，并肩作战。不过，正当他们准备凭借自己搭建的索道穿越峡谷的时候，领头人（安东贾斯汀•布朗卡特 Justin Blanckaert 饰）却掉队了。为了寻找同伴，他们不得不在这里过夜，但是黑暗中却有一只邪恶的手正在伸向这群年轻人……
新闻直播5分钟前，电视台知名主播世拉（千禹熙 饰）接到一名女子的电话，对方表示自己将被杀害。世拉认为这只是通恶作剧电话，但内心又感到十分不安，而世拉的母亲素贞（李慧英 饰）则认为，这是个能让世拉成为真正主播的好机会，让世拉决定前往对方的家，没想到却发现女子和其女儿陈尸在家中。此后，世拉眼前不断浮现那名女子死去的模样，并再次见到曾出现在案发现场的精神科医生仁浩（申河均 饰），对于曾是死者主治医生的仁浩，世拉对他的疑心愈来愈重……
在二战悲苦的末期，一个德军逃兵和一位年轻女子与一群寻找藏匿黄金的纳粹分子陷入了一场血腥斗争。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
11月5日 22-23赛季德甲第13轮 霍芬海姆VSRB莱比锡
故事发生在六十年代的美国，勒维恩（奥斯卡·伊萨克 Oscar Isaac 饰）是一位名不见经传的民谣歌手，生活困顿的他无家可归亦没有固定的工作，每晚得靠朋友们的救济才得以寻得安身之处。可是，尽管陷入了窘境，但固执的勒维恩却不愿意了顺应大众的喜好而做出无奈的改变，也正因为此，他和交往多年的好友简（凯瑞·穆丽根 Carey Mulligan 饰）和吉姆（贾斯汀·丁伯莱克 Justin Timberlake 饰）之间的关系也跌落到了冰点，更让勒维恩感到烦心的是，简的腹中竟然怀上了自己的孩子。之后，勒维恩前往芝加哥企图找到一份工作，却在面试之后惨遭拒绝，之后，一无所获的他回到了格林尼治村，继续回到曾经兼职的小酒馆打工。熟悉的场景，熟悉的音乐，熟悉的氛围，勒维恩经历了许多，却又好像什么都没有发生过。©豆瓣
出生于豪门家庭的阿梅莉亚与珍妮原是一对相爱至深的爱侣，但阿梅莉亚迫于家庭压力选择嫁给了戴维。几年后阿梅莉亚和珍妮再度重逢，爱火一发不可收拾。当阿梅莉亚与珍妮还有众闺蜜在咖啡馆相聚，阿梅莉亚却中毒倒下，珍妮被当成了嫌犯锒铛入狱，众闺蜜以及珍妮的律师还有珍妮的母亲想方设法要将珍妮救出，更有充满正义感的新人女警蒂塔相助。调查中大家发现阿梅莉亚的死因并不简单，将怀疑矛头指向了阿梅莉亚的丈夫戴维身上...@亿万同人亚译联盟
主人公是个不折不扣的工作狂。无论是在办公室，还是在好友的车上，他都会随身携带一台戴尔 XPS13，当然它也是男主角之一。短片共四集，可以在品牌广告中看到奥斯卡影帝飙演技，值啦！