哆啦A梦与大雄驾驶具有时光跳跃机能的“时光齐柏林飞船”，为了寻找自古以来许多冒险家梦寐以求的亚特兰提斯和龙宫城等每个人都曾想像过的梦幻乌托邦，在空中展开了一场大冒险。
怪兽失恋跑到地球捣乱，还在奥特曼面前大哭，真丢脸#捷德奥特曼
主人公朝仓陆有一天入手了了捷德升华器与奥特胶囊，得到了FUSIONRISE(融合上升)变身成捷德奥特曼的力量。与此同时也知道自己继承了堕入邪恶的黑暗巨人贝利亚奥特曼的遗传基因。自己作为在地球长大的普通年轻人，知道了自己其实是贝利亚的儿子。捷德奥特曼，也就是朝仓陆的命运发生了巨大变化。新的光之巨人！UltramanGeed奥特曼捷德，诞生！命运，做好觉悟吧。变身捷德的青年——朝仓陆(饰演：宾田龙臣)，使用神秘的道具GeedRiser及2个蕴藏著奥特曼力量的奥特胶囊FusionRise(融合)变身！陆性格勇敢，为了成为憧景的「英雄」而全力对抗邪恶。冲击的事实…人类同伴的基德是继承那个邪恶的奥特曼贝利亚基因的儿子！！身上红与黑的配色、尖起的眼睛、胸口利爪的花纹…虽然外貌都有著与贝利亚相似的特征，但是基德是渴望和平及正义的战士。
第十二作 江戸城大奥では、将軍の子を身ごもった二人の女、側室の環（行友圭子）とお千加の方（松尾嘉代）の権力争いが繰り広げられていた。そして大目付の板倉将監（小池朝雄）と組んだ大奥総取締役の錦小路（久保菜穂子）の企てで、敵対する人間が次々と殺され、それは眠狂四郎の仕業として広められた。そのため、江戸市中では、眠狂四郎が血と女に狂ってしまったと大騒ぎになっていた。そんなある日、狂四郎は白昼堂々、お庭番の集団の襲撃を受け、これを退けるが、その帰路で出くわした、大奥の女・小夜（藤村志保）に兄と間違われた。狂四郎は、小夜の兄が自分の名を騙った張本人であろうと思い、問い詰めるが…
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
玛丽安（凯瑟琳·德纳芙 Catherine Deneuve 饰）嫁给了著名的富商文森特（贝尔纳·弗雷松 Bernard Fresson 饰），过着养尊处优的阔太太生活。让玛丽安没有想到的是，文森特竟然在某一天毫无征兆的自杀了，不仅如此，在遗产清算中，玛丽安还震惊的发现，他们家实际上早已经负债累累。
一群怀揣梦想在都市打拼的年轻人，历经了世事变迁之后，在各种机缘下来到绿野山区创业，将都市青年的活力与市场经营的理念注入乡村。他们扎根绿野山水，克服重重困难，携手打造出美丽乡村新图景，实现了各自的梦想。
本片拍摄耗时94天，而男主角柯林·法瑞尔在拍摄期间曾经摔断手臂和摔伤脚踝。 影片讲述了Alexander（柯林·法瑞尔 Colin Farrell 饰）年轻时的梦想、荣耀与冒险生活，他征服世界后的孤独生活以及神秘的死亡。他与将军Hephaistion（杰瑞德·莱托 Jared Leto 饰）不寻常的关系也得意展现。Alexander的母亲（安吉丽娜·朱莉 Angelina Jolie 饰）也在他的生命中起到不同凡响的影响力。 亚历山大自幼聪颖过人，曾受教于亚利斯多德，稍长即被授予首府总督之职，并以平定山贼有功而任命为马其顿大军统帅，随父横扫希腊城邦之乱。融合东西文化，鼓励民族间通婚，并倡导民族间地位平等，讲希腊思想律法散布各地，开创希腊化时代文化，死时却年仅33岁。
金牌调解员马尚来（冯巩饰）遇到“后起之秀”茅雪旺（涂松岩饰）的挑战，茅雪旺欲与老马争夺第一调解员的位子，于是双方开始了一场智力、人气、颜值大pk，但是老马却因此被妻子（牛莉饰）和儿子（刘昊然饰）误会！老马该如何化解这次危机呢？
故事发生在一个架空的世界之中，这里被分为五个部分，人类所居住的地球、诸神的红色世界、理性与科学统治的白色世界、充满了魔法的黑色世界以及崇尚武力和战争的绿色世界。长久以来，五个世界相互制约抗衡，形成了微妙的平衡，然而一场意外的发生让这五个世界都将面临着同一个结局——毁灭。 为了避免这恐怖的未来图景成为现实，拥有“Excceed能力”的少女们挺身而出，她们被送往名为青兰学院的学校之中，在这里接受训练和保护。率真耿直的彩城天音（田村由加莉 配音）、沉默寡言的苍月纱夜（寿美菜子 配音）、优雅高贵的阿尔玛利亚（原由实 配音），在校园里，这些命运相似的少女们相遇了。
港岛东区警署刑事侦缉组由Madam雷率领，全组皆是女警，所以有“靓女差馆”之称另一警局的警员生啤和沙爹在一次行动中，对众美女一见难忘，遂主动申请调职到靓女差馆，以接近众女警并展开追求。爆破专家火牛以炸弹恐吓靓女差馆，警署上下陷入炸弹夺命危机，后靓女得前军火专家博士的帮助，得以化险为夷。生、沙也在危难中始知自己最爱是谁，决顶改变追女习惯，并成功解救富豪被掳案件。
刘大雷是一家快递公司的快递员，不惑之年仍一事无成，虽婚姻失败，却是一良善之人快递公司老板，因面临破产与妻子罗小美离婚，刘与罗经历一次次磨难后，刘萌生了照顾罗的想法。一天，派出所民警找到刘，带来了前妻与刘的儿子小小。正巧被罗小美撞见，罗醋意大发。因前妻无暇顾及小小，前妻希望刘帮着照顾一段时日。前妻走后，小小很是抵触刘，刘想尽一切办法欲与小小沟通。因刘生活贫困，突如其来的贫富转化，使小小无法接受，邻里见之都来帮忙，而罗对小小更是照顾有加，小小的生活习惯也有了巨大改变。在相处中，小小接受了刘，得知刘曾是歌星后，希望他能重新站上舞台。但刘却一直陷于往事不能自拔。