是什么让人们轻易上当？骗子的大脑结构是否与常人不同？《猫鼠默示录》将为我们揭露世界上最不寻常的诈骗案背后的真相，解读诈骗者玩弄人心的秘密。一辆汽车驶向冰封雪困的未知之地，矗立在此的神秘建筑物迎来了一位不同寻常的客人——他是臭名昭著的诈骗犯，也是即将接受测试的研究对象。在与世隔绝的研究所中，由犯罪心理学家、神经科学家和行为学家组成的专家团队将与诈骗者共处数日，通过一系列科学测试和访谈，解构其行骗策略，诈骗手段，让观众看清诈骗者如何击中人心的弱点，编织天衣无缝的谎言；同时研究他们的大脑活动，探究他们的内心世界，从童年往事追溯他们走上行骗之路的缘由。当惊天大案背后的犯罪者成为镜头前的实验对象，其精彩程度可见一斑；而国际巨骗...
In New York City, potent strands of bath salts have surfaced and have attracted the most devoted bath salt junkies. A young aspiring chemist has developed an even stronger batch... but something has gone horribly wrong.
故事根据马拉·莱维瑞特（Mara Leveritt）的同名小说改编，源自“西孟菲斯三人帮”的真实事件。即1993年美国阿肯色州一起骇人听闻的谋杀案背后的故事：1993年5月5日晩，阿肯色州西孟菲斯一個小鎮的3名8岁男孩失踪，3名“不良青年”小杰西·密斯凯利(Jessie Misskelley Jr.)、达米安·埃科尔斯(Damien Echols)以及贾森·鲍德温(Jason Baldwin)被认定为嫌疑犯，并被关押18年之久。2011年8月，在18年的牢狱生活后，“西孟菲斯三人帮”被释放。 瑞茜·威瑟斯彭在本片中出演一位受害者的母亲，起初她坚信警方调查结果，而随着案件的深入，她逐渐开始怀疑这一案件的公正性。而科林·费斯在片中的角色是一位私家侦探，他是最初就站在被告一方的支持者，并且通过调查，列举了很关键的证据。他一直免费支援被告方，也因此在当时遭受了各种谩骂。
《火星少女队》是由胡啸导演，艾霖、韩东霖、王婷、杨子萱、徐丹、王小熳主演的青春电影。由海南链通科技、武汉链小白影视、光年映画联合出品；光年映画独家宣发的青春励志电影，《火星少女队》定于2020年5月15日爱奇艺独家上线。该片讲诉了刚毕业的女孩夏天有着明星梦想，但却患有严重的镜头恐 惧症，巧合之下，她成为了新女团“火星少女队”的艺人助理， 又在阴差阳错之下顶替了女团队长林岚成为了临时成员登上舞台，最终逆袭成为c位出道的明日之星。 制片人:杨子乔 龚偌岚 出品人:熊兵兵、宋成钦 影片类型:青春、励志、歌舞
每一个死者都会经历一次往生刑。每个人的刑责都不一样，目的是为了斩断你对尘世的依恋。他从来不信这种说法，直到那一天。江县医院青年医生罗平坠楼身亡的新闻被女留学生——何晴看到了。她立马乘飞机赶回国内，在罗平火化前和他见上了最后一面。然而罗平的灵魂还没有离开，却记不起两人之间究竟发生过什么。何晴笃定地认为罗平不可能自杀，她以罗平未婚妻的身份，开始抽丝剥茧地寻求罗平坠楼的真相。罗平的魂魄跟随着何晴的脚步，逐渐拨开迷雾……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
2014年夏季 東名阪ネット6 日剧
首部以人类学角度呈现中国长角苗族习俗习惯的故事片，讲述的是一个古老而神秘的寨子里发生的故事。这个在世界上仅存5000人的族群，未来如何？他们要怎样面对外界的文化冲突？人性在长期恶劣生存环境中，是如何形成的自我保护意识？需要怎样的族群认同和取暖方式，才可以穿过千年历史沿革，走到我们跟前。《落绕》带你走近她，并了解更多不为人知的人类秘密……这是一部在北美，以及多个电影节上获奖影片，讲述的是亚洲中国古老少数民族的故事。
能演善导的比利时全才导演卜力蓝内自编自导自演的新作《末日前上路》，这回和法国演技派演员亚伯杜庞帝饰演一对赏金老猎人，他们在世界末日来临前，和一对鲁蛇情侣、自称耶稣的神祕人物展开一场边境公路之旅，不需满街乱咬人的殭尸，阴郁的无尽路途已尽显末世的荒谬影片宛如《黑色追缉令》的三段人物结构线，加上科恩兄弟的冷血硬气，再注入比利时特有的冷调黑色幽默，一举夺得柏林影展最佳欧洲电影奖、电影大观天主教人道精神奖的赞赏。
讲述老广记忆深处的美食，以独特视觉深入粤菜的美食腹地追根溯源，挖掘原汁原味的美食美景，揭秘鲜为人知的地方独特饮食，展示众多广味特色菜和背后的人物故事。
《29+1》改编自彭秀慧执导的香港大热同名舞台剧，主要讲述即将进入三十岁的两位女性，在面对大部分同龄女性都会面对的困扰时，选择了截然不同的人生态度。 一个是即将踏入三十岁的林若君，面对压力升级的工作挑战、双亲病重、仿如鸡肋的爱情关系......突然来袭的这些不安，令她感到前所未有的恐惧。另一个同样是即将迎来三十岁的黄天乐，却永远乐天知命，不为生活所困扰，身患癌症却坚持环游世界，寻找爱情，甚至从未因为微胖身型错过美食。 她们互不认识，性格各异，因缘际会林若君却搬进了黄天乐的家，没想到二人竟是同年同月同日出生，林若君通过黄天乐的日记阅读着对方人生点滴，两个女子在空气中互相融合，观照，影响……到底是谁闯进了谁的世界？
阿肯、阿飞和阿波是三个典型的大男人，身为他们的女友，琪琪、露比和西西被各自男友的“屋外彩旗飘飘”伤透了心一次意外中，三个男人被打入地狱，地狱使者拿走了他们的命根子并告诉三人，他们必须在一个月内找到真爱并且让真爱说一声“我爱你”，否则三人就要一辈子做女人了。失去了命根子的三位损友十分焦急，在经历了身为女性的种种不便和痛苦后，三人对待女性的态度渐渐的改变了，也意识到了各自曾经的错误和不成熟。一个月的期限眼看就要到来，阿肯、阿飞和阿波能够挽回他们早已经心灰意冷的女友吗？