在梦中

最好的朋友Lloyd和Marcus在遇到一个童年朋友时意外地唤醒了一个古老的精神，他现在是一名古董商。

2023-10-29 NBA常规赛 尼克斯VS鹈鹕

青春日记之柠檬之恋

女一号张然柠是一个漂亮、高冷、神秘、有文采的高中生，从小与外婆相依为命，外婆去世后独自生活，母亲一再要求她出国一起生活，张然柠都予拒绝，她一些特殊的举动，让大家有各种猜测。腹黑女刘美琴对张然柠万般嫉恨，多次拉拢胆小、自私、爱占小便宜的夏小龙使用手段在老师面前让张然柠犯错，还把刘美琴和夏小龙去教务处偷试卷的事诬陷到张然柠身上，却因夏小龙的手在教务处被刘美琴踩伤而漏洞百出⋯⋯高志是一个帅气、沉稳、担当的富家子，一直被仰慕着他的刘美琴不断纠缠，看到刘美琴对张然柠的各种举动，更是心生厌恶。并一次次在暗中帮助，让大家识破真相。面对张然柠的突然消失，高志黯然失落。李牵/ 干莺/ 张英达

宝莱坞太太们的闪亮生活第二季

这部剧集跟拍了宝莱坞核心圈子中四个女人的生活。爱好玩乐的她们兼顾事业、家庭和友谊，在插科打诨的同时成为了好闺蜜。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

爱有来生[电影解说]

小玉（俞飞鸿饰）与丈夫秦言（涂松岩饰）在儿时旧友雅萍（李佳饰）的帮助下搬入山顶一处僻静宅院。秦言外出代课，小玉独自打理庭院，尤其对院中的银杏树倾心。某晚小玉沏茶独自等待雅萍来访，却突遇一和尚打扮的男鬼阿明（段奕宏饰）树下现身。阿明说自己已在银杏树下等人五十载。经小玉同意，阿明开始缓缓讲述五十年前的一段经历。阿明的哥哥（姚橹饰）作为山寨头领，在一次仇杀中放走仇家六岁半的儿子。十几年后，弟弟阿明爱上了一个突如其来的神秘女子阿九（俞飞鸿饰）。阿明百般呵护却依然无法赢得阿九的芳心。绝望中阿明出家为僧，阿九却又不离不弃，直到有一天帮派火拼，一切因果真相大白却又无可挽回……

4月1日 22-23赛季NBA常规赛 活塞VS火箭

猎狼者（热血版）

反盗猎题材剧《猎狼者》讲述了由秦昊饰演的护林员魏疆，在同事因公殉职、心如死灰之后，被尹昉饰演的新人警察秦川感动，重新骑上马、带上枪去捍卫使命的故事。

辉夜大小姐想让我告白：天才们的恋爱头脑战

影片由河合勇人执导，讲述具有全国顶尖学习能力的学生会长白银与大财团的千金辉夜，两位天才为让对方先行告白展开的恋爱头脑大作战。

一片冰心在玉壶

一位初入江湖，励志成为第一侠盗的天才少女——莫妍前来开封府，为蒙冤入狱的五师兄翻案。却因其敏锐的洞察力为包大人赏识，遁入公门成为开封府的女捕快，并与侠骨柔情的南侠展昭结为欢喜冤家。两人一路揭露层层阴谋，莫妍不仅揭开了自身身世之谜，也明白展昭心中“侠义”与“情感”的两难抉择......

炒年糕店那哥哥

《炒年糕店那哥哥》是具有各自不同魅力的三个哥哥在雄心勃勃开设的炒年糕店里，与甜辣的炒年糕一起美味品味到店客人们的故事。 　　节目中池石镇担当对回忆真心的哥哥，金钟旼是对沟通和营业真心的哥哥，最后年龄最小的成员李伊庚担任对炒年糕味道真心的哥哥。

冲锋号

这部片子讲述了一个新时代好人郭秉直在受到诬告后之后，对人民群众还是不离不弃，主动救助比他更加困难的人民群众，在退休之后，毅然决然离开舒适的家庭，前往偏远山区扶贫并且奉献一生的故事展现了脱贫攻坚运动中，他对党忠诚、信念坚定，退伍不褪色、退休不退岗，无论身处哪个岗位都能奋发有为、建功立业的革命精神。