2023年08月22日 亚冠附加赛 上海海港vsBG巴吞联

危险的传言

宇坤（金康宇 饰）是一名心中怀有远大理想的经纪人，希望能够依靠自己的实力将手下十分信任自己的女演员一举捧红。然而，一宗空穴来风的谣言使得女演员身败名裂，并最终在绝望之中选择结束自己的生命，仿佛在一夜之间，宇坤失去了一切。 　　愤怒的宇坤知道事件的背后一定存在着阴谋者，发誓要调查其中的真相，他找到了八卦新闻社朴社长（郑在泳 饰）以及拥有高超窃听技术的白文（高昌锡 饰），希望借助两人的力量为自己扫平前路上的障碍。当一位名叫车成洙（朴成雄 饰）的男子出现在宇坤的身边之时，宇坤发现他的存在威胁到了自己的人身安全。

恶烂狂人

兄弟姐妹咪咪和卢克不知不觉中复活了一个古老的外星霸主。他们使用魔法护身符，迫使怪物服从幼稚的异想天开，并意外地将流氓银河系刺客画廊吸引到小镇郊区

矢在弦上第二季

矢在弦上第二季是由JohnHannah和SuranneJones出演的喜剧片《ATouchofCloth》将恶搞过去十年间英国出品的最精彩和最烂的罪案剧。该剧剧本基于BorisStarling的一个故事改编，剧本创作团队包括CharlieBrooker(代表作：DeadSet)和DanielMaier(代表作：HarryHill’sTVBurp),以及BenCaudell,PeterHolmes,chaoji365.comHazeley和JoelMorris。CharlieBrooker是美国喜剧巨星之一，他既有经济头脑，又深谙流行文化。总督察JackCloth由JohnHannah饰演。

倾世锦鳞谷雨来

五百年后，已成“大学士”宁修睿终于见到了让他恨了五百年的锦儿，但她已经不再是渔村孤女锦儿，而是城中颇有名气的“落魄千金”苏音音。二人相遇后，彼此的境遇也因此变得险象环生、不可分割。一段充满奇遇与冒险的悱恻恋情在他们之间悄然拉开序幕，宁修睿不能归海的秘密也随之浮出水面，二人之间似乎潜藏着更大的羁绊。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

罗伯超High

别名: 少年罗伯特性冒险、少年罗伯特 middot;卡迈克尔之狂喜 一个英国海滨小镇，三位放浪形骸的少年。他们无法接受这个村镇裡各种自以為是的道德标準，於是，他们决定将不满化為行动，以身衝撞道德界线！本片在戛纳放映时，触怒许多观眾与影评人离座抗议。更有一位影评人形容，这部片的犯罪场景让《发条橘子》看起来就像小甜甜音乐录影带般的可口，是2005戛纳影展在性与暴力尺度上最具争议的一部影片。 nbsp;

猎犬2023

两名年轻人陷入冷酷无情的放贷业务，于是冒着生命危险试图扳倒邪恶的高利贷者。

欲求难控

绝望的业务员勉强队与一个美丽的蛇蝎美人，收大甩卖。热的恋情后，她被谋杀和她的私人助理敲诈业务员为一个主要的金融骗局，他跌倒越陷越深到她的陷阱。

缘份有TAKE2

N神（张家辉 饰）心仪公司同事刘爱玛（朱茵 饰）许久，无奈爱玛已经有了身为公司副总裁的男友雷欧（刘恺威 饰），伤心的N神只能默默的守护在爱玛的身边。一天，N神和艾玛同乘一辆公交车前往公司，无意中，从N...

卿何薄命之羔羊少女

半熟年纪，是人生最危险的时期…… 　从重案组被调往「明灯计划」的女警程姐（陈昭昭），其首项任务是辅导榕榕、大家乐和摇摇三位问题少女。 榕榕的姐姐蒽猪男友肥佬贩毒维生，引起警方注意....

神秘新娘

Nok不愿结婚,身边还有一群花蝴蝶，但是他妈妈迫使他和不喜欢的女孩结婚。在婚礼上ann假扮新娘没有人怀疑她直到Nok和ann在结婚证上签字时ann才展露她真实身份。尽管此剧中ann对Nok的妈妈做了一些坏事，但是只是想让她想起她对ann的姐姐所做的事情。剧中ann有一个男朋友，但是为了为姐姐报仇她把男朋友凉在一边。一个狂风暴雨的夜晚，Nok rp ann。Nok不是一个坏人，事后他知道了ann的身份并且寻找那个智障的孩子。ann的姐姐和Nok爸爸有情，而Nok的妈妈想方设法要陷害ann的姐姐想让她流产。虽然孩子顺利出生但是先天性智障，姐姐也因此失踪了。